3/28/2023 0 Comments Temptations cloud nine meaning“So impressed was I that I went back to Detroit and I told Norman. And I said, ‘Who the hell is that? I ain’t never heard nothing like that.’ It was “Dance To The Music.” We heard this young group come on the radio and it cut into our conversation. “The Tempts were in New York City,” Otis remembered recently, “and my good friend Kenny Gamble, of Gamble and Huff, and I were talking. Though Whitfield was, at first, stubbornly resistant to any relevance their sound could have to the Tempts, he would soon change his tune. “Let’s go in and make this here hit”īy now, Williams was more than aware of Sly And The Family Stone’s urgent, fresh and hedonistic interpretation of the language of soul. Penzabene’s role as Whitfield and Strong’s collaborator was taken by Barbara Neely, and a No.4 R&B hit was the result. The group’s third single of 1968, “Please Return Your Love To Me,” was their last with David Ruffin in the line-up, but he took a back seat this time to Eddie Kendricks’ lead vocals. They began the year with the superior, polished soul of Whitfield, Strong and Rodger Penzabene’s “I Wish It Would Rain,” which became their seventh R&B No.1, in February, and followed it with the eighth, the same team’s “I Could Never Love Another (After Loving You),” which hit the top spot in July. The dramatic change in The Temptations’ sound brought about by the single is right there in the grooves of their 1968 release schedule. “Berry thought that we were singing about getting high.” “I know there weren’t drug references because Norman and Barrett didn’t do drugs,” he says. pop and soul Top 10s earlier that year – it’s also a drug song, isn’t it? Negative, according to Tempts co-founder and surviving original Otis Williams. Recorded with a new-look Funk Brothers band featuring the wah-wah guitar of Dennis Coffey, it was also the marker of the taut, tense new sound they would create together from that point on.īut as a psychedelic production released in the experimental climate of the day, sonically influenced by Sly And The Family Stone’s “Dance To The Music” – which rode the U.S. The Temptations’ soulful staple, “Cloud Nine,” released on 25 October 1968, is much celebrated as the first Motown song to win a Grammy, and as a revered exemplar of the group’s fruitful relationship with producer Norman Whitfield and his co-writer Barrett Strong. “Cloud Nine” is often assumed to be about getting high, but The Temptations’ Otis Williams swears “there weren’t drug references”.
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